That Drifting Poo Was Far Too Meaningful! These Are the TV Disappointments of the Past Year.

As we consider the television offerings of the past year, a handful of series stand out not for their brilliance, but for their spectacular shortcomings. From awkward spin-offs to confusingly poor documentaries, here are the productions that left us scratching our heads or simply reaching for the remote.

And Just Like That

Where to begin with this divisive spin-off? Plagued with woeful scripts, painful character development (we demand better for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the show fought to find its footing. Briefly, as the final series started, it looked like it had at last hit its stride. Then came an installment all about Seema’s natural deodorant. No wonder the showrunner announced this would be the final season. It concluded on a low point; the closeup of Miranda’s loo full of poo was just way too symbolic. Yet, viewers undeniably found joy dissecting every single “what on earth?” episode. And as Carrie – a single woman once more – danced around her sprawling townhouse to Barry White, who didn’t let out a small sob?

All’s Fair

‘Can Kim Kardashian act? The answer is a resounding no.’

But that was almost the smallest of this show's issues. The subject of a very rare zero star review, it was difficult to know where to start listing the flaws. The hilariously wooden dialogue? The mind-numbing glorification of wealth and materialism? The seemingly deliberate procession of cliches? Performances so bad they felt borderline malicious? Suffice it to say “each and every one” and never speak of this show again. Except, a new season has been commissioned, so we’re likely going to have to.

AKA Charlie Sheen

Given the restraining orders, abuse claims and parental shortcomings, it’s reasonable to say Charlie Sheen has been a troubled figure. Not you’d truly have gleaned it from this multi-part docuseries which smirked its way at Sheen’s various bouts of reckless excess while failing to tell us anything we didn’t already know. Rather, it felt as if this loose cannon was being pandered to, so any pity this series might evoke should be saved for the people who have had to endure close contact with this charming but flippant narcissist.

The Supercomputer Drama

Of course we knew it was preposterous from the get-go: a thriller about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We stuck with it out of pure love for its stars … but by the end, it felt like even they had stopped bothering. One barely reacted when his character died, and the other ended up slicing Charlie with an axe … in painfully slow-motion. Talk about giving up the ghost.

The Gangster Drama

Dodgy characters meeting in deserted boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and wants its gangland drama back.

Actually, that is harsh on the gangland dramas of the late 90s. Many look a little old-fashioned now, but at least they didn’t suffer the embarrassment of having to indulge baffling accents. But there were many other problems. Primarily that it was just really dull; a conflict over drug-selling territory between various cockney picaresques which felt rather simplistic.

The Meghan Markle Series

Considering the degree to which she grinds the gears of certain performatively angry commentators, it’s almost tempting to applaud the Duchess of Sussex’s various forays into quaint homemaking as intentional provocations. But then you view them and are compelled to admit that in this case, they may have a point. It’s like watching a lifestyle catalogue animated; a poster for evening drinks with ideas of grandeur; a parade of snoozing dogs, buzzing beehives, sentimental platitudes and pointless crafting “tips” you’ll forget instantly. All supported by immense, largely undeserved wealth. Ugh.

Victoria Beckham

There are clearly interesting things to be discussed about both Victoria Beckham and her journey with vocation, self-image, self-worth. But for some reason, this documentary series opted not to explore them. Instead, the viewing was akin to consuming a sales brochure. She clearly has every right to resent what she describes as her “miserable cow” image. But sadly, she failed to do herself any helps with this guarded letdown of a series.

The Inheritance

It should have been the next cultural phenomenon – except even more extravagant, with a glamorous star playing dead and a well-known personality overseeing her estate. What more could you ask for? As players battled it out, there was plenty of backstabbing and squabbling. But the rules quickly became incomprehensible: it’s even now too complicated to explain what precisely was happening. Even more regrettably, we only saw glimpses of the star via filmed videos. The show ended up smelling of a programme that was straining desperately to emulate something way beyond it.

The Lena Dunham Romcom

How does one succeed a show that defined a generation? The expectation was immense for this glitzy romcom about Jessica, a rosy-eyed New Yorker who lands in London with a broken heart. The lead actress seized the opportunity by the horns and was joyous to watch, reveling in Austen levels of romantic ideals. But it was all very slick and, ironically, was insufficient. Plus, the abundance of famous friends involved felt uncomfortable.

The Sketch Show Return

Not even good enough to be ‘patchy’.

Given the shrewd inclusion of talented younger comics, expectations were high. But unhappily, most of it didn’t land. A recurring sketch was a one-note joke milked to a husk but repeated in every episode. One star seemed too ready to slip into a well-known ranting mode. The behind-the-scenes sketches, meanwhile, simply inspired the idea that they should probably have remained in there a bit longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely presented the perspective of Amanda Knox. So, while there probably is an compelling drama to be made about the horrific 2007 murder, this isn’t it. The subject matter needed to be treated with care. Instead, the series struggled painfully to find the right voice, lurching from oddly breezy, slightly mannered farce to inevitably, real-life horror. Complex? Perhaps. A complete mess? Very much so.

The Maths Genius Thriller

We love the star … but did we buy him playing the greatest maths genius in history, a man so smart he’s on the brink of a discovery that could ruin society? No! This globe-trotting thriller about government agencies spying on – and killing off – academics frankly got more absurd by the second. Formulaic nonsense.

1000 Men and Me: The Bonnie Blue Story

This hagiography followed the content creator renowned for explicit exploits as she prepared for her biggest challenge yet. What on earth would possess her? What we wanted was far greater examination of her actual psychology, plus those of the men in the queue. They could at least have spoken to the now-famous mum who appeared to drag her son out of the queue. What we got was disturbing imagery and zero critical analysis of her notoriety whatsoever. It's staggering to consider, the filmmaker has a teenage daughter too.

Brian Johnson
Brian Johnson

A digital strategist with over a decade of experience in media innovation and client-focused solutions.